

Brian/Brianna Keeper, San Francisco, 16 x 20, Acrylic on Canvas, 2003
I love this vista from Sausalito at the Golden Gate headlands. I am sitting quietly working, mesmerized by the view, when a mountain lion steps out perhaps ten feet in front of me. It was looking at the same view and never turned to see me.

Brian/Brianna Keeper, Las Vegas, 20 x 24, Acrylic on Canvas, 2004
Another trip to fantasy land...Las Vegas. I spent a surreal month living at the Golden Spike. I painted, gambled, and was constantly dodging security. I was manic the entire time. The eye candy, noise, interiors and heat were overwhelming. A months stay cost me about $300. I was screaming towards a crisis and having a ball.

Brian/Brianna Keeper, Hunt, Texas, Acrylic on Camvas, 24 x 30, 1992
Just another day exploring my subconscious, another psychic-scape. One piece is usually a revolution of color against the last. One day I am red and the next day I am green.

Brian/Brianna Keeper, San Francisco, Acrylic on Canvas, 20 x 16, 2003
Transamerica circa 1978, picture me as a bicycle messenger. It was truly, the wild west. We rode 3 speed bikes with little or no brakes. There were no helmet laws and traffic signs were more like suggestions than actual rules of engagement. It was scary wild.

Brian/Brianna Keeper, Isle Royale National Park, Lake Superior, 24 x 20, Acrylic on Canvas, 2004 SOLD!
Isle Royale National Park is pristine wilderness. It is the quietest place I have ever been. Days would transpire without hearing a human voice, nor would I speak. I relished this time untethered from phone, family, friends, and country.

Brian/Brianna Keeper, Clearlake, Acrylic on Canvas, 30 x 24, 1993
Spent a couple of weekends going to Clearlake painting in the boatyards. I got a soft spot in my heart for the little sailing cruisers. The boat wrights did not quite know what to make of me. So long as they did not run over me with their boat lifts we got along fine.

Brian/Brianna Keeper, Seville, Spain,
16 x 20, 1999
This is where the magic happens. Seville was amazing and this location was exceptional. I was intimidated by the perspective and all the visual information. My pack was scary heavy. Paint, tacks, canvas, brushes, clothes, tent, coat, sleeping bag, pad, rainwear journal, maps, sunscreen, meds, and a bunch of other essentials.

Brian/Brianna Keeper, Hunt, Texas, Acrylic on Canvas, 00 x 00, 1996
Thought this a good place to look at my "Psychic-scapes" from 96. Sometimes they were dark, but sometimes they were light. When I look at this piece, I think of my maternal grandmother.

Brian/Brianna Keeper, East Texas, Acrylic on Canvas, 70 x 84, 1983
I was very excited by my departure from reality in this piece. I have fond memories of East Texas. Because it was a cultural desert, friends would gather to create, perform and entertain one another. The weather was severe, violent, terrifying and beautiful.

Brian/Brianna Keeper, Hunt, Texas,12 x 9, Acrylic on Canvas, 2003
Generally speaking, I believe creativity in "Western" culture is a manic pursuit. There are climaxes and crashes. Periods of sublime madness and crushing depressions. It is a bit of a ride. Giddy up!

Brian/Brianna Keeper, Africa, 24 x 20, Acrylic on Canvas, 1994
1994 was a mixed year for me. I got into my first National competition, I traveled to Africa, I fought my first major bout of depression, and my work began to take a very dark but therapeutic turn. Hindsight is not such an amazing thing when you have documentary evidence. Anybody care to dance?

Brian/Brianna Keeper, Hunt, Texas, 20 x 16, Acrylic on Canvas, 1984
Moonscape is one of many paintings I created by moon light. You never really know what is going on color-wise until you bring the piece into bright light. They are always fun to execute. An opportunity to howl!

VETA was founded with a vision to bring contemporary art to a wider audience. We believe that art has the power to inspire, to challenge, and to transform, and we are committed to bringing unique and innovative contemporary art to our community.

Our collection represents a diverse group of emerging and established artists from around the world. We are passionate about discovering new talent and supporting the careers of artists, and we work closely with them to create opportunities for them to showcase their art.

We host a variety of exhibitions throughout the year, featuring curated shows exploring different themes and ideas. Our exhibitions are designed to challenge and inspire, and we encourage visitors to engage with the art, the artists, and with each other.
Born in Houston, Texas in 1957, Brian/Brianna Keeper is a non-binary artist whose work is deeply rooted in observation, experience, and place. A graduate of Houston’s High School for the Performing and Visual Arts, Keeper earned both BS and MFA degrees from East Texas State University and has spent more than five decades painting the world as it unfolds before them.
AN EMOTIONAL CONNECTION - Working primarily on location in acrylic on canvas, Keeper’s subjects range widely—from portraits, landscapes, urbanscapes, to abstract psychic-scapes—guided less by genre than by instinct and emotional connection. “I paint whatever my eyes and my soul speak to me,” Keeper says. Over the course of a lifelong artistic journey, Keeper has painted throughout the United States and abroad, with extended creative stays in New York, San Francisco, Paris, Amsterdam, Barcelona, Seville, Mexico, Africa, Seattle, Austin, Houston, and Las Vegas, among many others. These experiences continue to inform a body of work distinguished by its immediacy, humanity, and sense of place. Keeper was honored as Artist-in-Residence at Yosemite National Park in 1991 and at Isle Royale National Park in 2004.
THE FLOOD - For most of their career, Keeper created art for personal fulfillment rather than commercial pursuit, quietly amassing a collection of more than 500 original paintings that remained largely unseen by the public. That changed in the aftermath of the catastrophic July 4, 2025 flooding along the Guadalupe River in Hunt, Texas, where Keeper lives on family property in the Texas Hill Country. The devastating flood rose with astonishing speed, destroying homes, businesses, and thousands of structures while claiming the lives of more than 140 community members, visitors, and campers. Keeper escaped the flood in the early morning hours with only their dog, Fidel, carried in their arms. Returning days later, they found the family home—owned for more than fifty years—buried in mud, along with decades of artwork stored inside.
Miraculously, the collection survived.
THE DECISION TO SHARE - In the wake of the disaster, Keeper made the deeply personal decision to release the collection for the first time, allowing the work to find new homes while helping support the rebuilding efforts of their close-knit community. Though never interested in the business of selling art, Keeper now shares this extraordinary archive with collectors, galleries, and individuals in the hope that each piece will offer connection, reflection, and the singular pleasure that only original art can provide.

Explore vibrant, original artworks in the VETA collection. Discover unique portraits, landscapes, urbanscapes, abstract, representational, word art, paintings, and drawings.
We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.